{"product_id":"marillion-murder-machines-drum-sheet-music","title":"Marillion - Murder Machines (drum sheet music)","description":"\u003ch1 data-start=\"230\" data-end=\"272\"\u003e🇮🇹 \u003cstrong data-start=\"237\" data-end=\"270\"\u003eMarillion – \u003cem data-start=\"251\" data-end=\"268\"\u003eMurder Machines\u003c\/em\u003e\u003c\/strong\u003e\n\u003c\/h1\u003e\n\u003cp data-start=\"273\" data-end=\"289\"\u003e\u003cstrong data-start=\"273\" data-end=\"289\"\u003eScheda brano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"291\" data-end=\"605\"\u003e\u003cstrong data-start=\"291\" data-end=\"302\"\u003eTitolo:\u003c\/strong\u003e Murder Machines\u003cbr data-start=\"318\" data-end=\"321\"\u003e\u003cstrong data-start=\"321\" data-end=\"333\"\u003eArtista:\u003c\/strong\u003e Marillion\u003cbr data-start=\"343\" data-end=\"346\"\u003e\u003cstrong data-start=\"346\" data-end=\"356\"\u003eAlbum:\u003c\/strong\u003e This Strange Engine (1997)\u003cbr data-start=\"383\" data-end=\"386\"\u003e\u003cstrong data-start=\"386\" data-end=\"397\"\u003eAutori:\u003c\/strong\u003e Steve Hogarth, Steve Rothery, Mark Kelly, Pete Trewavas, Ian Mosley\u003cbr data-start=\"465\" data-end=\"468\"\u003e\u003cstrong data-start=\"468\" data-end=\"479\"\u003eGenere:\u003c\/strong\u003e Progressive Rock \/ Alternative Rock\u003cbr data-start=\"515\" data-end=\"518\"\u003e\u003cstrong data-start=\"518\" data-end=\"529\"\u003eDurata:\u003c\/strong\u003e 4:19\u003cbr data-start=\"534\" data-end=\"537\"\u003e\u003cstrong data-start=\"537\" data-end=\"551\"\u003eEtichetta:\u003c\/strong\u003e Castle Communications\u003cbr data-start=\"573\" data-end=\"576\"\u003e\u003cstrong data-start=\"576\" data-end=\"591\"\u003eProduzione:\u003c\/strong\u003e Dave Meegan\u003c\/p\u003e\n\u003chr data-start=\"607\" data-end=\"610\"\u003e\n\u003cp data-start=\"612\" data-end=\"1065\"\u003e\u003cstrong data-start=\"612\" data-end=\"632\"\u003eIdentità sonora.\u003c\/strong\u003e\u003cbr data-start=\"632\" data-end=\"635\"\u003e“Murder Machines” rappresenta il lato più diretto e incisivo dei Marillion della seconda metà degli anni ’90. Il sound è compatto, energico, meno sinfonico rispetto al passato ma più tagliente e moderno. Le chitarre lavorano su riff incisivi, il basso è presente e deciso, mentre la produzione privilegia impatto e immediatezza. È un brano che mantiene l’identità progressive della band, ma con un’attitudine più rock alternativa.\u003c\/p\u003e\n\u003cp data-start=\"1067\" data-end=\"1489\"\u003e\u003cstrong data-start=\"1067\" data-end=\"1096\"\u003eSignificato e narrazione.\u003c\/strong\u003e\u003cbr data-start=\"1096\" data-end=\"1099\"\u003eIl testo affronta il tema della tecnologia e della disumanizzazione. Le “macchine assassine” sono una metafora potente: rappresentano sistemi freddi, impersonali, che schiacciano l’individuo. Steve Hogarth canta con tono intenso ma controllato, descrivendo un mondo dove l’essere umano rischia di perdere empatia e coscienza. Non è una denuncia urlata, ma una riflessione lucida e inquieta.\u003c\/p\u003e\n\u003cp data-start=\"1491\" data-end=\"1855\"\u003e\u003cstrong data-start=\"1491\" data-end=\"1517\"\u003eArchitettura musicale.\u003c\/strong\u003e\u003cbr data-start=\"1517\" data-end=\"1520\"\u003eLa struttura è lineare ma dinamica. L’intro stabilisce subito un clima deciso e teso. Le strofe mantengono compattezza, mentre il ritornello si apre con maggiore ampiezza emotiva. Non ci sono lunghe digressioni strumentali: il brano è costruito per essere diretto, concentrato, efficace. L’equilibrio tra controllo e spinta è centrale.\u003c\/p\u003e\n\u003cp data-start=\"1857\" data-end=\"2199\"\u003e\u003cstrong data-start=\"1857\" data-end=\"1883\"\u003eAtmosfera strumentale.\u003c\/strong\u003e\u003cbr data-start=\"1883\" data-end=\"1886\"\u003eL’arrangiamento è solido e incisivo. Le chitarre alternano parti ritmiche energiche a interventi più melodici, le tastiere aggiungono profondità senza dominare, il basso sostiene con stabilità. L’atmosfera è tesa, moderna, leggermente inquieta. È rock che riflette sul presente, con un senso di urgenza contenuta.\u003c\/p\u003e\n\u003cp data-start=\"2201\" data-end=\"2614\"\u003e\u003cstrong data-start=\"2201\" data-end=\"2223\"\u003eGroove e batteria.\u003c\/strong\u003e\u003cbr data-start=\"2223\" data-end=\"2226\"\u003eLa batteria in “Murder Machines” è precisa e potente. Il groove è medio, deciso, con una cassa solida e un rullante pieno che costruiscono un pocket compatto. L’hi-hat lavora in modo serrato nelle strofe, mentre nei ritornelli i piatti ampliano lo spazio. I fill sono misurati ma energici, pensati per accompagnare le transizioni senza eccessi. È un drumming che unisce controllo e forza.\u003c\/p\u003e\n\u003cp data-start=\"2616\" data-end=\"3057\"\u003e\u003cstrong data-start=\"2616\" data-end=\"2655\"\u003eValore didattico per il batterista.\u003c\/strong\u003e\u003cbr data-start=\"2655\" data-end=\"2658\"\u003eStudiare “Murder Machines” è utile per lavorare su groove rock moderni con sensibilità progressive. Il brano insegna a mantenere energia costante, a costruire tensione senza sovraccaricare e a sostenere un testo concettualmente forte. Perfetto per allenare precisione, solidità e gestione delle dinamiche in contesti alternative\/progressive. Una lezione chiave: potenza e controllo devono convivere.\u003c\/p\u003e\n\u003chr data-start=\"3059\" data-end=\"3062\"\u003e\n\u003ch1 data-start=\"3064\" data-end=\"3106\"\u003e🇬🇧 \u003cstrong data-start=\"3071\" data-end=\"3104\"\u003eMarillion – \u003cem data-start=\"3085\" data-end=\"3102\"\u003eMurder Machines\u003c\/em\u003e\u003c\/strong\u003e\n\u003c\/h1\u003e\n\u003cp data-start=\"3107\" data-end=\"3124\"\u003e\u003cstrong data-start=\"3107\" data-end=\"3124\"\u003eTrack details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3126\" data-end=\"3438\"\u003e\u003cstrong data-start=\"3126\" data-end=\"3136\"\u003eTitle:\u003c\/strong\u003e Murder Machines\u003cbr data-start=\"3152\" data-end=\"3155\"\u003e\u003cstrong data-start=\"3155\" data-end=\"3166\"\u003eArtist:\u003c\/strong\u003e Marillion\u003cbr data-start=\"3176\" data-end=\"3179\"\u003e\u003cstrong data-start=\"3179\" data-end=\"3189\"\u003eAlbum:\u003c\/strong\u003e This Strange Engine (1997)\u003cbr data-start=\"3216\" data-end=\"3219\"\u003e\u003cstrong data-start=\"3219\" data-end=\"3235\"\u003eSongwriters:\u003c\/strong\u003e Steve Hogarth, Steve Rothery, Mark Kelly, Pete Trewavas, Ian Mosley\u003cbr data-start=\"3303\" data-end=\"3306\"\u003e\u003cstrong data-start=\"3306\" data-end=\"3316\"\u003eGenre:\u003c\/strong\u003e Progressive Rock \/ Alternative Rock\u003cbr data-start=\"3352\" data-end=\"3355\"\u003e\u003cstrong data-start=\"3355\" data-end=\"3366\"\u003eLength:\u003c\/strong\u003e 4:19\u003cbr data-start=\"3371\" data-end=\"3374\"\u003e\u003cstrong data-start=\"3374\" data-end=\"3384\"\u003eLabel:\u003c\/strong\u003e Castle Communications\u003cbr data-start=\"3406\" data-end=\"3409\"\u003e\u003cstrong data-start=\"3409\" data-end=\"3424\"\u003eProduction:\u003c\/strong\u003e Dave Meegan\u003c\/p\u003e\n\u003chr data-start=\"3440\" data-end=\"3443\"\u003e\n\u003cp data-start=\"3445\" data-end=\"3788\"\u003e\u003cstrong data-start=\"3445\" data-end=\"3464\"\u003eSound identity.\u003c\/strong\u003e\u003cbr data-start=\"3464\" data-end=\"3467\"\u003e“Murder Machines” highlights Marillion’s sharper and more direct mid-1990s sound. The production is compact and energetic, less symphonic than earlier works but more modern and punchy. Guitars deliver strong riffs, bass remains assertive, and the overall feel balances progressive identity with alternative rock attitude.\u003c\/p\u003e\n\u003cp data-start=\"3790\" data-end=\"4158\"\u003e\u003cstrong data-start=\"3790\" data-end=\"3816\"\u003eMeaning and narrative.\u003c\/strong\u003e\u003cbr data-start=\"3816\" data-end=\"3819\"\u003eThe lyrics address technology and dehumanization. The “murder machines” act as a metaphor for cold, impersonal systems that diminish human empathy and individuality. Steve Hogarth delivers the message with controlled intensity, portraying a world where awareness is at risk. It’s reflective rather than explosive — critical yet thoughtful.\u003c\/p\u003e\n\u003cp data-start=\"4160\" data-end=\"4455\"\u003e\u003cstrong data-start=\"4160\" data-end=\"4185\"\u003eMusical architecture.\u003c\/strong\u003e\u003cbr data-start=\"4185\" data-end=\"4188\"\u003eThe structure is straightforward but dynamic. The intro establishes tension immediately. Verses remain tight and focused, while the chorus expands emotionally. There are no extended instrumental detours; the song is concise and impactful, balancing control and drive.\u003c\/p\u003e\n\u003cp data-start=\"4457\" data-end=\"4747\"\u003e\u003cstrong data-start=\"4457\" data-end=\"4485\"\u003eInstrumental atmosphere.\u003c\/strong\u003e\u003cbr data-start=\"4485\" data-end=\"4488\"\u003eThe arrangement is solid and sharp. Guitars alternate between driving rhythm and melodic accents, keyboards provide depth without overwhelming, and bass underpins the track steadily. The atmosphere feels tense and contemporary, with a subtle sense of urgency.\u003c\/p\u003e\n\u003cp data-start=\"4749\" data-end=\"5115\"\u003e\u003cstrong data-start=\"4749\" data-end=\"4773\"\u003eGroove and drumming.\u003c\/strong\u003e\u003cbr data-start=\"4773\" data-end=\"4776\"\u003eDrums in “Murder Machines” are precise and powerful. The groove sits at a steady mid-tempo, with solid kick and full snare creating a compact pocket. Hi-hat remains tight in verses, while crashes open up during choruses. Fills are measured but energetic, supporting transitions without excess. This drumming combines strength with control.\u003c\/p\u003e\n\u003cp data-start=\"5117\" data-end=\"5502\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"5117\" data-end=\"5152\"\u003eEducational value for drummers.\u003c\/strong\u003e\u003cbr data-start=\"5152\" data-end=\"5155\"\u003e“Murder Machines” is excellent for practicing modern rock grooves with progressive sensitivity. It teaches sustained energy, tension building without overplaying, and supporting concept-driven lyrics. Ideal for developing precision, solidity and dynamic management in alternative\/progressive contexts. A key lesson: power and control must coexist.\u003c\/p\u003e","brand":"SpartitiBatteria.com","offers":[{"title":"Default Title","offer_id":57045527134543,"sku":null,"price":6.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0892\/3024\/6223\/files\/MARILLION-SPARTITO-BATTERIA-DRUM-SHEET-MUSIC.png?v=1770888848","url":"https:\/\/www.spartitibatteria.com\/products\/marillion-murder-machines-drum-sheet-music","provider":"SpartitiBatteria.com","version":"1.0","type":"link"}